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Spire is also scalable 100%, 150% and 200% and looks great on retina devices.īelieve me, it is not a cliché when I say that what I have presented here is only a small part of what Spire has to offer. Let’s not forget about multiband compression and a handy 3-band equalizer, which make Spire one of the most complete softsynth on the market. Moving on to the FX section, Spire offers a wave shaper, phaser/vowel, chorus/flanger, delay and reverb. An easy-to-use arpeggiator with swing and gate is also integrated.

The advanced step sequencer comes with a flexible waveform editor, and for each step, you can assign an unique waveform, which lets you achieve patterns that range from simple to intricate. The modulation section consists of 4 envelopes, 4 LFO’s, 2 steppers, macro control, matrix, pitch wheel and mod wheel. Spire offers 5 filters for use: ‘Perfecto’, combining the best of analog and digital filter types, with LP4, BP4, HP4 and Peak modes, ‘Acido’, good at simulating TB-303 sounds, with LP1, LP2, LP3, LP4 modes, ‘Infecto’ which simulates the filter sound of a Virus TI synthesizer (LP2, BP2, HP2 and Notch modes), ‘Scorpio’ with RedLP2, RedLP4, BlackLP2, BlackLP4, BlackHP and BlackBP modes, and finally ‘Combo’ with Mono +, Mono -, Stereo + and Stereo modes. Next, there is a dual resonant filters section, with filters which can be set to work in series or parallel. Every oscillator can have its own unison with up to 9 voices, and several voice modes, from regular spread throughout an octave, to intervals such as minor/major chords etc. Sound is further processed through a powerful unison.

Check “Use maximum buffer size from host”.

Uncheck “Use block size as buffer size”.

In between, the selected waveform can be modulated with ‘ctrlA’ and ‘ctrlB’ knobs, at degrees varying by the selected oscillator mode.įor correct sounding of Spire in FL Studio, please follow these settings: The sound of an oscillator is the result of the chosen synthesis mode (Classic, Noise, FM, AMSync and SawPWM), plus one of the 49 sample-based waveforms, starting from the usual analogue-types, to various bass, piano, organ, synthetic, robotic and other uncommon types. Moving on to the left, we enter the core of each OSC: 4 tabs with each taken separately, where you can set the pitch of each oscillator, as well as to control the position of the phase. You can adjust the volume of each of these, while turning the knob all the way to the left will disable the selected oscillator and the red LED light will shut off. All packed in a simple and refined form.Īt its base are four identical oscillators, named OSC1-4. The great sound springs from a great architecture with an array of filter types, onboard effects, and tons of settings.

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